#He's my favorite if you couldn't tell

[dollyenthusiastic]

sorry!

sorry for not posting in a while! Honestly I forgot I had a tumblr account and I just remembered! If you want to see an art account I'm more active on, look for @Cytapoyffm on Twitter!

Anyway, here's some art! Again, so sorry!

[spidermansona]

Thinking about how the fandom just turns Merry into a stoner when he's one of the most observant and smart characters. He knew about the ring before even Frodo did. He was the leader of the conspiracy to help Frodo leave the Shire gathering supplies and getting things ready, all without Frodo's knowledge. He liked maps and boats (pretty unusual for Shire hobbits) and is much more than just the guy who smokes a pipe.

[sashimew-the-cat]

Trying out more Perspective illustrations with Raph

(Click for better quality)

[kairithemang0]

Y'all I am so bored

[raticalshoez]

i'm having hyperfixation drought so i did what i did best and created a crossover episode

[tinyweevil]

PIM PIMLING BOMB RAAAAAAAAA *fades out of existence*

[haru-spectre]

um.

[maeofthedead]

Utterly tragic that Armand cannot see himself except through those who perceive/interpret him, only to heavily edit and manipulate their memories so his sense of self is ultimately obliterated by his own actions.

[sherlock-is-ace]

Bill Masters as a character generates four distinct reactions within me:

Jesus Christ, he's a piece of shit I want him murdered.

Omg nooo, you poor babie ily, come here

Pathetic wet cardboard of a man

Damn he's so gorgeous

And i think they're all very correct

[marosii]

Space hunters🪐

Aka ging straight up leaves the planet to do random shit and kite still follows him

[edwardallenpoe]

Hey. Just wanted to put my two cents in, like everyone else on Tumblr dot com is. (It got pretty long so putting it under a cut)

I don't really care about what you think should happen to the fandom. Like. If you are going to continue to engage in the fandom without giving Neil any sort of gain is fine. I'm personally still on the fence on what the fuck to do now. But let's not make that the whole focus, yeah? What Neil allegedly did was fucking terrible. Like. Objectively worse than what JKR did when things first came out about her. Let's forget good omens and sandman and coraline for a minute (don't care if you still engage with those things or burn your copies and remove your tattoos, let's just put it down for a minute.) and try really hard to think. Because we all hated JKR. We burned her reputation to the ground. For good reason. But we can't even decide if we hate Neil Gaiman yet? Guys. Please. We have to believe all women. Plus he's a rich fucking white dude who has admitted to using his power for gain.

And if it turns out (which this is a 8% chance) that this is all not what it seems to be, or even all of it is fabricated, and Neil is innocent, we still gotta stop worshipping this dude. This has got to be a wakeup call that he's not some Messiah. He's a human dude in power who does the same shitty things human dudes in power do.

And I get it. You want to continue to like your stories that he helped create (key-word 'helped' bc he was a part of a team with a lot of these stories, including Sir Terry Pratchett) but me personally? I would be a massive hypocrite if I metaphorically burned my Harry Potter stories to the ground and put HP fans in my DNI because of JKR but said "separate the art from the artist" with Neil Gaiman.

And this is coming from any other Good Omens fan that became way too attached to the story. Like a lot of people have said that story helped in very. Very fucking trying times. It was my rock, some days the only thing keeping me going. The fandom has been an amazing place of creativity and community and love.

But so was Harry Potter. If you think about it. If any Good Omens fans were previous Harry Potter fans you'll know just how wide spread and open and creative and deep the hp fandom was. And this may just be me misremembering because it was a couple years ago at this point (plus everything with Neil Gaiman is still such news) but because JKR was spouting rhetoric that directly harmed us (us being majority queer and poc people) we drop-kicked hp pretty fast and focused on the artist and her shittiness.

Can we have the same attitude towards Neil? Can we separate the art from the artist long enough to fucking focus on Neil? When I say separate the art from the artist I don't mean "remove artist, continue to enjoy art" I mean "remove the art and focus on the artist, and study that motherfucker". How many video essays are their out about JKR? How many books referencing her terribleness? Without giving so much as a hint to Harry Potter?

Separate the art from the artist and focus on the artist and bringing him to justice. And believe the victims.

And yeah I can see your arguments against the source of the information and who the victims went to tell their stories, I can understand those arguments, but let's look at the data, okay? Let's look at what Scarlett and K actually said with their actual words and their actual messages and separate the source from the material. What Scarlett and K talked about is scary. Terrifying. I couldn't even read more than a little bit before I got triggered. I wasn't caring about how the source podcast was talking about it. What Scarlett and K said with their own words should be enough. Make your own judgements. If you can't look at a story without being influenced by the storyteller's hidden agenda and not have critical thinking skills????? I'm sorry but that's going to be your downfall.

Or better yet, if you can't believe victims because they have political views that differ from your own (which, they probably don't. From what I can tell nobody really fucking knows what Scarlett and K's political views are but it doesn't really matter) you need to really study and look into what you mean when you call yourself a "leftist". Because it's not very progressive or helpful to not believe or help victims because of their political views. Sorry. Is that wild for me to say? Idk

Uh anyways. I don't really care what you do in your free time when it comes to enjoying the fandoms. I don't necessarily think it makes you a terribly shitty person for still engaging in it instead of burning all your Neil Gaiman stories, and also like a lot of people have said (and since I'm on the same boat) treating fans like the scum of the earth when a lot of fans have had good omens as a way to escape and has become super dependent on good omens and are justifiably horrified by everything and trying to ignore it is shitty. But I'm personally going to continue to follow this story because I care about the victims. Not because I want to be guilt-free reading a fanfic about an angel and a demon. Because I care about real life people.

[fandom-zoomer]

I think I may have come up with the best worst tma time travel “fix-it” au (imho)

Inspired by Ketakoshka's 'dread spawn' idea in their dread child jon series, Dribbledscribbles' origin story for the dread powers and extinction entity interpretation in their extinction!jon fic (and some more of the latter in their post-eyepocalypse fic too), as well as my own love for making unholy (aka fun) fusions of things and sandboxing eldritch interactions with the 'mundane' . . .

. . . I have created a post-canon, Somewhere Else, time travel ""fix-it"" story that I think might be unique (at least I've never seen any fics like it– but if I'm wrong then please please share the link!! or dm me if it's your own work hehe but no pressure!!)

(mag 160+ spoilers after this point!)

(i'm about to wax poetics here (hopefully coherently)—so you can read the story-ramble OR you can scroll to the TL;DR at the bottom to skip it & spoilers to read the nutshell & see if you're interested :3)

so get this...

The big Change happens right? But this time the Extinction is a bigger player in the game than canon, and ultimately deeply marks Jon throughout the eyepocalypse.

So when the finale happens, since Jon is now connected to the epicenter of the whole show, his 'death' and the panopticon's destruction has the simultaneous effect of baiting the Dread Powers into the Hole (via his voice in the spools of tape)– and also killing everyone trapped by the Dread Powers in the world via Jon the walking detonator thanks to being entrenched in the Extinction's influence. —Combining both his best and worst plans and realizing his worst nightmare: killing everyone and spreading the Powers to an unknown number of worlds to wreak even more havoc.

How did this happen?

Simple—but first some backstory for context.

The Extinction was more of a 'lurker', much less "outgoing" than its 'siblings'. And when it was "grandiose", well. . . it tended to leave no survivors. Thus its unrecognition by those like Robert Smirke or Jürgen Leitner.

To go back even further, the Dread entities were originally one cohesive entity with many faces and limbs. Its faces reflected the same developmental complexity as the sources of their manifestation. So those with the most diverse species feeding them held the widest capacities. Namely: the Hunt, End, and Extinction. But being a singular entity, it didn't mean much.

But as human species' family lines develop and grow more complex cognitive ability, more esoteric Dreads developed, and more faces become more complex. And the Extinction was right there from the beginning as more species died out one by one. Quietly. (...maybe? 👀)

Over time humans discovered the Powers and bonded with them, then started to classify them. From here, the Dread entity fragmented into Dread entities.

They developed their own 'consciousnesses' distinct from the hive 'mind' they once were. And, eventually, sapience. Self-awareness. Desires. Personalities. But they were still connected, part of the 'system'.

The Extinction and the Web (newer, but always sapient) are a quirky pair, the Web seeking control over everything and the Extinction seeking ultimate entropy and change upon its catastrophe.

It's hard to distinguish the Extinction exactly, its work misidentified for others with few under its own unique umbrella. Things 'unique' to it get missed due to being a misnomer and not getting clocked. (But that is the nature of the Dread Powers after all.. being a fragmentation of their original singular mass.)

...

The Extinction represents the fear of disaster that will bring about the end of everything—everything you know, love, need to survive. Everything you built, worked for, hoped for. The destruction of stories and of life, of the very history written by your land—your home.

Your community. Your society. Your species.

You.

Annihilated in totality.

The Extinction represents the fear of those that come after you to replace you—worse than you, different from you. Leaving you and your history and stories (the driver of your continued existence) forgotten forever. The fear of life moving on after you, ignorant and apathetic. Your story meaningless, irrelevant.

Your community's story. Your society's story. Your species' story.

Your story.

Erased and written over.

The Web represents the fear of being controlled, fate being out of your hands—by malevolent authorities out of reach, by abusive companions or relatives, by invisible forces far beyond the human comprehension. Spinning, winding, twisting, pulling each decision in your life made for you. Until destruction of the self by your own hand.

Your struggle for change futile. Your feet following the same path. Your fate determined for you.

You forfeit control—your feet march you to your bitter demise.

The Web represents the fear of being conspired against. Scheming, plotting, planning your downfall. The loss of everything you hold dear, worked for, bled for. Spinning, twisting, scripting lies about you. Your credibility falls to pieces, your world shatters, and your story distorts.

You are kept alive by the spreading of your story. And the people have decided to trust the manufactured tale.

You are forgotten—twisted into an image of something wrong.

...

Sometimes they're at odds. Where one seeks to manipulate the threads of everything endlessly, the other seeks to destroy it all so thoroughly, with such finality, as to mutate it– the schemes, the pawns, the gameboard itself.

Sometimes they're complementary. Where you watch as you lose everyone you cared for one by one, spiraling down a path darker into entropy, the irreversible nightmare, and wondering if you ever really had free will in the first place– if anyone did.

What if the end for you really was just another game to them? What if this wasn't their first round? What if you're just the next step in the grand scheme, larger than even your own universe?

Alright, now with that out of the way, let's bring back the question.

How did the Extinction change Jon, and how did this cause the altered result of the finale?

The Web has been there since the near beginning, pulling Jon along and guiding him to his next milestone in the plot. She had known the world would come to an end one way or another, and wanted to bring it about on her own terms so that she—they all—could escape it.

So when the Web saw what the Eye was doing, she had an idea. So she aided their acolytes, seeing her sibling as the perfect way to bring all of them together for the final step. And the Web set her own card onto the board: Jon.

Jon had a natural disposition for the Eye; from stubborn curiosity to the reckless pursuit for answers to even the coldest cases. Whether he knows it or not, his mind is a gaping maw for horrible knowledge—chasing after experiences disguised as answers to his burning questions so dreadful they leave scars on him like sigils of a looming doom.

While he has no affinity for the Web's machinations, he is still hers. She has no issue with guiding agents from across the court, she knows how to share. Especially when it benefits her. Jon archives each event, every little detail, with such care and readiness that he makes the perfect vessel to pull them in—to guide them out. He'd flourish best as her tool in the Watcher's sphere.

After the Watcher's Crown and the Dread Powers came into the world, the Extinction started to make its presence known. It seeped into other Domains and fed on the people's dread for permanent catastrophic change, on their fear of ruin and total desctruction. And as Jon traversed them and lived through their fear, so was he marked by the Extinction.

It seeped into his skin like oil and burned through his veins like acid. It tainted his trails with the radioactivity of human hubris and greed, twisting and mutating both the mundane and Dreadful as he passed. It closed its grasp on him with the tightness plastic rings and infected his Perceived routes with the stench of mountainous landfill and the thickness of city smog.

The Web and the Extinction had a complex relationship, but in this moment they guided the Archivist in synchronous song like a soldier being led to his final mission: dropping the nuclear bomb.

Did Jon know?

...

No.

The twines of manipulation layer labyrinthine over everything, above and below and through every angle and dimension. Even the Nigh-Omniscient Antichrist and his All-Knowing God will never fathom its depths.

He might never know that he helped start the Extinction's ritual: Raze the Earth.

Or that both the Web and the Eye knew and did nothing. (honestly, the latter's only there for the show)

So when Martin stabbed Jon and Melanie lit the gas mainline, the threads around the world snapped and the glowing light of humanity's greatest sins exploded over everything—

—and they prayed—

—and they wept—

—and the Dreads rushed out torrentially. (pulling a few strays with them)

Now for the part you were all waiting for (well I was)—the Heart of this AU

The Dread Powers and the ones who were dragged with them were transported Somewhere Else– a parallel world in a parallel universe. But they were. . . Changed from their previous/original selves.

The tag-alongs—Martin & Jon of course, but also Annabelle Cane, Oliver Banks, Simon Fairchild, and Arthur Nolan—replaced their parallels at birth, and gained partial or full amnesia to their past lives. But their personalities are altered, reflecting some aspects of their pre-finale personalities.

Except for Jon. Jon, the Pupil of the Eye, the Warhead of the Extinction, the Spools of the Web, the Archive of the Dreads and linchpin to their escape. . . was significantly destroyed in the center of the storm. He got it and so much worse—a stick so short its existence was inverted.

While they did get reach the new universe, they had to reconstruct their linchpin/Archive that they're still connected to so that his total destruction doesn't tear them apart as well (being an Extinction avatar that's now deeply connected with them, he's capable of "taking them down with him").

When Jon was reborn, he was literally thrown into the world like a meteorite, landing with an explosive blast that rendered the surrounding area a lifeless wasteland in moments. High radioactivity and a deathly curse left few flora or fauna returning before wasting away soon after. Those that 'survived' did so by being infected by the Extinction or Corruption.

It would permanently remain uninhabitable, and it would take months before the withered stillborn spawn of the sapient eldritch Dread Entities would crawl out of the jagged crater on its own, none the wiser to its tragedies.

TL;DR

The Web manipulated Jon's attempt to put a stop to the Entities' reign, utilizing the Eye's easy influence to help the Dreads escape the world and into a fresh new one before they were also destroyed in the Extinction's "Raze the Earth" ritual (set up by using Jon to weave toxic-filled veins throughout the world he was traversing that'll explode at once 'grand finale' style).

Jon, now deeply binded to the Entities' purest forms and still an Extinction time-bomb, was mostly destroyed during the trip to Somewhere Else and the Entities had to reconstruct him so his death wouldn't destroy them too. This led to Jon being reborn a near completely different being (with some of him preserved) as functionally the direct spawn of the Dread Powers, replacing his parallel counterpart from the new world.

[t-u-i-t-c]

sasuke & casual looks

[evil-dsmpconfessions]

Not related to dsmp characters but sometimes when I see an old pic of wilbur soot deep down I want to come crawling back bc he was a special interest for a long time (don’t worry I know better and I hate his ass it’s just :/)

.

[ghost-inthe-hall]

[carefulfears]

txf30 day 4: favorite dynamic (besides the obvious): scully/mulder/skinner

y’all mind if i ramble for a second?? there are so many connections that are so important to this story, but i always come back to these three. i think everything does.

i say that memento mori is the most loving episode of the series, but when i think about that one, it’s not even the kiss in the hallway that stays with me. it’s skinner coming in to work, the first time scully was in the hospital, and finding mulder sitting in his office. and he’s just been sitting there. bypassed the secretary (lol), and just sat and waited. he doesn’t have anywhere else to go.

and the way that skinner tells him, no. don’t do it to yourself under any circumstances. that he is not to risk himself to try to save scully. ultimately, it’s not mulder that made the deal with the devil, it’s skinner who didn’t follow his own advice. (gave up everything he has, to save them both).

and these are just two weirdos who work for him in the basement!! he doesn’t owe them anything. but he’s the one there, at the end, no matter what. he’s the one who comes to get them when they’re hurt, or lost, or need help. they’re his emergency contacts, the people who show up, the people who advocate for him. the people who know him. (the bigfoot division are a.d. skinner’s silly rabbits etc etc etc)

in iwtb, after six years away, it’s skinner who comes to get scully, on the side of the road, next to mulder’s flipped car. tells her that they will find him, that he’s okay, to breathe. it’s skinner that holds mulder on the ground, in the end.

when mulder went back to bellefleur, it's skinner that scully sent with him. that girl has never trusted a single soul to so much as breathe mulder's air, but "i won't let you go alone," is immediately followed by skinner packing the car.

like trish said last night:

i think telling scully he "lost" mulder was the hardest thing he ever did. skinner loves mulder too, but mulder is scully's entire world. and this time around, he won't let scully be alone the way mulder was.

(and the kindest thing scully ever did: squeezing his hand, saying "i already heard.")

(skinner returns the favor: he tells mulder about william, so that scully doesn't have to.)

my favorite moment in requiem is the final scene, the two of them crying together. the only two people. the only two people who know.

when she tells him that she's pregnant, he's the first to know. the only person to know, for most of her pregnancy. 18 years later, he's still the first person thinking of their baby, looking out for him.

honestly, it always comes back to sein und zeit for me. when after 7 years, after 27 years, mulder says that it's just too much, and he wants to go home. he wants time away from work. the sequence in the car: mulder in the backseat, skinner behind the wheel, scully on the passenger's side. for so many years, mulder had to be searching, so that he wouldn't be alone. but now he stands in front of two people who love him, and admits to needing a break. to wanting it to stop. he's guided, he's guarded.

skinner is a hardass. it's not easy to manage their madness. it's not easy to write the footnotes, to be the person waiting, in this particular story. but like he tells mulder, 14 years after they last worked together: not a day goes by where he doesn't just wish they were there, trying to make things better.